I realize that ‘artistry’ is a sloppy choice for a title. It’s a broad stroke which embraces many activities, from musical performance to jewelry making. But here, I’m using it in the narrowest sense, referring to painters, capturing with deft strokes what and how they see their world.
It might silly on the most superficial level to be “celebrating” something as anachronistic as painting. Ages ago, it was the only way to give a permanent visual record of a person’s appearance, a still life, a landscape, a battlefield, a coronation, a vision. But things have dramatically changed.
Now we have smart phones and digital cameras, technologically cranked up to always take perfect photos. We have dash cams, body cams, Go-Pros that capture everything in real time, not as stop-action stills but as streaming visual records of reality, as it happens.
Better yet — from some perspectives — we have software that can take all that imagery and transform it. Take a photo of that basket of fruit on your table. Process it and you end up with a Rembrandt or Van Gogh or Monet. Want a Titian? Import some angels and naked bathers into the photo you took at the dog park. Add Jesus or Mary or the Twelve Apostles. Looking for a Jackson Pollock? Easy. Just do your own digital drip painting while riding the Tilt-A-Whirl at Six Flags.
Congratulations! You’re an artist!
Want celebrity status? Photoshop yourself having dinner with Angelina Jolie or playing poker across from Christopher Walken in Las Vegas.
This creative “flexibility”, of course, applies not just to visual arts but across the board. There are apps for writing stories or entire novels. Apps for composing music. Apps for making up jokes, pick-up lines, compliments on your grandmother’s new hairdo.
What a wonderful world we live in, eh? Everyone is a creative genius, a star, the life of the party, admired by . . .
Uh . . . well, somebody. Anybody?
Is anyone paying attention?
You really have to wonder where this ends up. If everybody is capable of doing everything at the highest level, no one will stand out. No one will be special. No one will be admired for anything. Except maybe the huge variety of apps they have on their Galaxy or iPhone. And if someone gets a jump on you, hey, no problem. Just go to the app store, do a quick search, put in your credit card and voilà . . . you’re the new Beethoven or Hemingway.
Meaning . . . it’s not about what you actually do. It’s about what you can get done.
In a revealing aside, let’s look at the world’s glamor stage of wealth. There are a few names which are constantly in the news. Elon Musk, Jeff Bezos, Bill Gates, Steve Jobs and Apple Corporation. Elon Musk is the wealthiest person on the planet. He didn’t design, engineer, or make anything which created his fortune. Jeff Bezos doesn’t make anything either. He sells stuff. Bill Gates didn’t invent the computer or any of the software which runs on the PC. He didn’t even invent the graphic user interface which made him famous. He stole the “windows” GUI, the concept and code. Steve Jobs certainly didn’t invent the telephone. To be fair, he was the driver behind the smartphone revolution. But the technological breakthroughs — the grunt work — the actual design and building, were performed as work for hire by his employees. None of the “big names” actually innovated anything. What they did is create the entrepreneurial conditions for the innovations they are credited with. To be blunt about it, they are heralded as geniuses, on the world stage, for one reason. They each amassed huge piles of money. You have to ask: Is this what achievement looks like now? Is merit no longer related to talent, but purely a function of net worth?
So look at these members of my home town. Is it possible they somehow don’t know about all of the wonderful innovations we have at our fingertips? Are they stuck in some world that’s centuries old?
What’s wrong with these people?
I’ll tell you what’s right with these folks. They understand that it’s what you do, not what you own or can buy, that’s fulfilling. That it’s the journey, not the destination, that sustains the soul and adds value to life.
It took me a long time to figure this out.
But I finally did.
Love Connection: Coming in ????
My latest novel, Love Connection: Romance in the Land of the Rising Sun, was originally supposed to come out in February. Then publication was moved to April. Then July. Now we are targeting November.
The holdup has been . . . well, life on this chaotic planet during these turbulent times.
Let me explain.
Before a novel becomes available to the public, it’s released to a select group of readers. They are given advance reader copies — ARCs — to provide a number of things to us. First, any constructive criticism of the book is welcome, i.e. glaring inconsistencies in characters or plot; typos; mistakes and anomalies the editor may have missed; did the book meet whatever expectations the reader might have had? Second, suggestions for improvements are always helpful. Did the story drag in parts? Is the cover unappealing? Should the book be longer? Shorter? Third, in the hope that the reader found the novel delightful, exciting, moving, eye-opening, life-changing, whatever, positive comments, preferably short and catchy, are much appreciated. These will appear on the inside cover as “blurbs” when the book is finally published. I’m sure you’ve seen them before. Here’s an example of one I already received for Love Connection . . .
“One of the most distinctive and enjoyable aspects of Rachel’s novel is his voice, which travels confidently between the serious and humorous. It’s a good balance, and the writing itself is lively from start to finish, which is no easy thing.” – David Joiner
Thanks, David!
But here’s my problem, and what’s been holding up the book.
Over twenty ARCs were sent out in February. Sadly, we’ve only gotten feedback from five folks. We like to have at least 12 to 15, not just for the blurbs, but to get a range of opinion and feedback on the story, writing, presentation. People are simply not available.
I understand. I don’t think it’s the fault of the book. Like I said, it’s life . . . Covid-19, war, inflation, lockdowns, bankruptcies, all of the craziness we’ve been subjected to for over two years now. Who has time to read a novel? Who can concentrate?
Here’s my offer to you, which will hopefully lead to a solution for us. If anyone out there is interested in reading this book, let me know. I can send either a paperback to hold in your hands, or a PDF to read on your computer, tablet, or book reader. I’m shooting for fifteen more folks to dive into my story, take the ride, have fun, and then tell me what they think.
By the way, and this is important . . .
Love Connection, despite the sub-title, IS NOT A ROMANCE. Not in the traditional sense. I don’t want to give too much away, because a major part of the appeal of the story is the suspense. In fact, it’s more of a “true crime” suspense novel than a romance.
Plus there are many changes of scene. Though it mainly takes place in Japan — and you’ll get a healthy dose of what Japanese people are really like and what it’s like to live here — there’s some serious globe trotting: to Germany, France, Morocco, Nigeria, Uganda, and Kenya. Trust me, you won’t be bored. And the ending! I think when you discover where this whole convoluted adventure eventually ends up, you’ll be quite shocked. Amazingly, this aspect of the storyline is based on real events which have taken place here in Japan.
Hey! What have you got to lose? A few hours? I know it’s not easy with all the distractions and turmoil to sit down and read a book. But look at it as an opportunity to get away from all the distractions and turmoil.
If you’re interested, let me know. It’s first come, first serve. Limited at most to 20 more people. Folks who agree with Groucho Marx when he said . . .
“Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.”
Email me at john@jdrachel.com or leave a message with an American Embassy near you.